Victor François Xavier l is a young inventor and male protagonist in Ballerina. He’s the best friend and later boyfriend of Félicie who shares her own dream to escape their orphanage and run away to Paris to become an inventor. He‘s voiced by Nat Wolff in the original version and Dane DeHaan in the US version. ## Personality Age: 11 Gender: Male Hair Color: Dark Brown Eye Color: Dark Brown Costume: Brown Jacket, Brown Pants, Brown Leather Boots Family: Unknown Residence: Orphanage (Formerly) Occupation: Dishwasher (Formerly), Inventor Friends; Félicie Le Bras (Love Interest), Mathurin Enemies: Rudolph, Regine Le Haut Likes: Félicie, Make Felicie Overwhelmed, Impressing Félicie, Make a Discovery, Inventing Dislikes: Rudolph, Felicie In Danger Appearance: Victor is a young fair-skinned boy who’s short in height with short messy dark brown hair, and dark brown eyes and he has a small scar on his left eyebrow. Due to growing up in a lower-class orphanage, his clothes are sewn together with different colored patches and stitches. He wears a pale-yellow collared, button-up shirt underneath a light brown waistcoat and a faded green long-sleeved blazer that has a noticeable denim blue patch on his left chest and folded cuffs, dark grey pants with a blue patch above the edge on the right and a cut above his ankles, brown socks and brown boots with brown laces that match almost in color. When he disguises as Mother Superior to escape the orphanage he wears a white cap with a white shawl over his head and an off-blue long-sleeved habit with a black tied string around the waist over his outfit. When he takes it off, he wears a red tight-fitting rubber hat with a chicken crest on the front, The Chicken is his fake chest, and his white “chicken wings’ with brown patches. Personality: Victor is shown to be an eccentric and excitable inventor with many creative ideas in mind. Throughout the movie, he’s friendly, caring, and open-minded. His obvious crush on his best friend, Félicie, leads him to become clumsy and nervous. There is a scene where he tries to lean in for a kiss with Felicie, which fails. Odette describes Victor as being a talented miracle worker who "just has the look of a total nitwit." He doesn’t know that chickens don’t fly until Félicie tells him. Biography: According to Félicie during a conversation with Odette, Victor is claimed to have been raised by wolves until he was left at the orphanage around the same time as her. They would become best friends with dreams of becoming an inventor and ballerina. He has an accent which makes his pronunciation of words soft. One day Victor sees Félicie on the roof of the orphanage (trying to escape) while the manager of the orphanage is checking on the children, then looking for her. He later goes to the roof and helps her off the roof after she gets her foot in the gutter. In the kitchen, he expressed how upset he was when she was "escaping without him". One night he executes his plan of sneaking out of the orphanage with Felicie. They get chased by Mr. Luteau, riding his motorcycle. They jump on a carriage, but when Felicie drops her music box, Victor gets off the running carriage to get it for her. When they get on the train, he fixes her music box. Victor talked about Paris enthusiastically. But when Felicie falls asleep, resting her head on his shoulder, he softens his voice, fixes her blanket, and sleeps too. As Félicie complained at first, chickens can't fly, but Victor renamed his new wings: pigeon wings at the end. Trivia: Victor is claimed to have been raised by wolves until he was left at the orphanage around the same time as her. Victor has a prototype in real history, a tailor with flying dreams who finally fell to his death at the bottom of the Eiffel Tower. He transformed new wings "chicken wings" to “pigeon wings” and how to express love to Félicie. He doesn’t know Chickens...don’t...fly. The second and third parts of his name, "François" and "Xavier", were likely a reference to the name of the movie's Line Producer, François-Xavier Ibague. When he showed Félicie the Statue Of Liberty (under construction, still in Paris), he said it was to be sent to the US. That is true in real life, as the Statue was a gift from the French to the Americans.

"I'm not. I'm just a little bit hurt that you were ughrh, I don't know, escaping without me? " "That was your best ever plan? "- "You are so critical!"- "You're a terrible escaper!"- "Escaper's not a word!- YOww! God, not again!" "I can fix this. But I should say that seeing as this is the one thing that was in your crib when you were left outside the orphanage, you should take a teeny-tiny, eensy-weensy, little bit more care of it. Fixed! Don't thank me! And tomorrow, Cherie, Paris.... will be ours." "I can fix it. But what I'm saying is, seeing as it's the only thing in your crib when you're left outside the orphanage, you really should keep it small, small, and a little careful. It's fixed! No need to thank me! Tomorrow, Felicie, Paris... will be ours." "Good morning, sunshine!" "Good Morning My Princess/Sunshine" "It's incredible! Relax, Felicie! Enjoy Paris. Breathe it in. Hi there! Love your moustache, monsieur! Ah, yes, Paris! City of romance. City of dreams. City of fame and fortune! City of.. lamp posts. City of Pigeons. Did I say romance? " "Enjoy it, Félicie! This is the city of dreams. Hello! You have a nice mustache, sir! Ah, yes, Paris! The city of romance. The city of dreams. The city of fame and fortune! Lampposts City. City of pigeons." "Don't say that! We should never give up on our dreams." "Don't say that! We can't give up on our dreams easily just because of such a trivial matter." "Wait-t-h-t-h-vh- a boy?-What-what type of boy? Peacocks-ch what type of cheekbones and, Rudolph? " "Well, uh,. He has the ideas, and I think they're great, but.. it's a start." "Are you doing dance or kung fu? Hahaha, halacha-" "Hello, I love your apron." "I have no idea why you're happy but it is great! Hehehh! " "Rudy again? What, is he your boyfriend now?" "Okay Maddie, we practice. Music, please! Classical." "Okay, But that's. not my musical comfort zone." *Plays violin* "Ough, stop! Stop stop sth sth... We'll go. Fréthun, but, soft and romantic. This will blow her away. She arrives, she giggles! I am looking dark and mysterious. I give her the music box. She's.. ohm, ohm, overwhelmed." "Friends, huh? If we're friends why are you looking so ashamed?" "Uh, I'm not looking so ashamed." "Yes, you are. I feel sorry for you, Félicie." "Oh.. you're jealous." "No. Ever since you started at the opera, who were you trying to be? Mixing with this big hairy asparagus? You're so sad." "So I'm dirty. But at least I don't spend my day in tights!" "She's my muse!" "Yeah? Well, she's my. w-whatever you just said, too!" "Well, goodbye. Oh! Ouch! That is so.. low." "And rude." "You're welcome. Goodbye, now." "Voila! I call them, 'Pigeon Wings!' " "Live dangerously, Mattie! I promise you they will almost certainly work." "Aww." *Victor gasps* "This is nice." "Maddie, could you give us some privacy?" "When?.." "Maddie, privacy! " "Oh! Now! Okay." "Dancing at the opera. I want you to be there." "Really? " "Really." "I like you, Félicie. You make me laugh and.. and cry at the same time." "I like you, Felicie. You're making me laugh and cry, and I'm at a loss. You're such a freak!" "There is a big scary lady, taking your girl up the statue, trying to kill her." "What?" "Also, I wet my stuff." "Come on! Quickly! Save her!"- "Matty.. the Pigeon Wings!" "Felicie, don't worry. We'll be on time!" "Don't worry, Felicie, Victor is here to serve you. The mission will be accomplished!" "Can't you say I've just invented something and it worked? " "I can." "Then say it." "That really is my girlfriend." "It's my girlfriend."