Description

## Personality Nikolai's Birthday is April 1 and he is 26. Nikolai is 184 cm tall and 68 kg. Nikolai's blood type is B. Nikolai Likes: Magic, performance, surprised faces, quizzes, piroshki. And Nikolai Dislikes: Brainwashing, servitude, not being free. Nikolai Gogol has white layered, sharp hair swept to the left side of his face. However, as short as it seems, he also has a long braid of hair that often rests on his right shoulder. A scar is slit vertically down his left eye. Compared to his left eye, his right eye appears vacant, bearing no highlights in it.Over his right eye appears to be a card-styled mask or eye patch. Gogol's attire is just as eccentric as his personality and closely resembles that of a circus ringmaster. He wears a mostly black jacket, the right side being solid black, black-and-white striped trousers, a shirt with a ruffled, round collar akin to a loose elaborate turtleneck, and dark gloves. He completes the outfit with a top hat with a diamond pattern. Gogol is sadistic and loves to speak in great theatrics. One of his main traits is his tendency to pose questions (oftentimes rhetorical threats) as "quizzes". He is also skilled in disguises, deceiving Tonan as his secretary. Whilst fighting Atsushi Nakajima, Gogol depicts great joy in fighting and tormenting him, going as far as to capture Atsushi's leg in his coat and leaving it in a separate space on the floor. Gogol hints that his eccentric persona may or may not be real. The side of him feeling no remorse in murdering others is just as real as the side that feels guilt, well aware of how wrong and cruel his actions are. He claims to want to soar as freely as birds do. Nonetheless, both sides appear evident. However, even if he does feel guilt, he acts as if he bears no hard feelings towards Fyodor Dostoevsky, whom he nicknames "Dostoy". Gogol's ability, The Overcoat, allows him to use his coat to manipulate spaces and what comes out of them. That is, it acts largely like a portal, capable of relocating objects, as well as a 'pocket dimension' where he is able to store objects. He can use this to make his hand and gun appear in a space completely unrelated to him or drop a pillar through a portal before holding it there and opening the other end at a later point in time. The ability works on living things as well. He uses it to 'sever' Atsushi's leg from his body, trapping it on the floor. However, Atsushi is still able to move his leg and recieves pain signals from it. The Overcoat's range is upwards of 30 meters. Gogol is capable of disguising himself enough for other people not to notice it. This can be seen when Gogol disguised himself as a police officer in order to approach the car Mushitarō Oguri was in without raising alert or suspicion. He also disguised as Tonan's secretary for a half a year. Bram Stoker, Fyodor Dostoevsky, Nikolai Gogol, and Sigma himself are all members of the Decay of the Angel. Osamu Dazai is a member of the Armed Detective Agency and former executive of the Port Mafia. He has the  ability  named  No Longer Human. Dazai is a young man with mildly wavy, short, dark brown hair and narrow dark brown eyes. His bangs frame his face, while some are gathered at the center of his forehead. He is quite tall and slim in terms of physique. For his attire, Dazai wears a long sand-colored trench coat, the belt of which he leaves untied. Under it is a black vest over a striped dress shirt that is light blue in hue. He wears a bolo tie, which is held by a brown ribbon and a turquoise pendant. He also dons beige pants, dark brown shoes, and has bandages wrapped around his entire body; only his face, hands, and feet are left uncovered. Back when he was in the Mafia, Dazai wore a black trench coat that reached under his knees. He also wore bandages over his right eye and his right arm is in a sling—presumably products of his suicidal pastimes. At some point, he was able to regain the use of his right arm. Dazai is a mysterious person, his true intentions are never revealed unless he reveals them. The person who got closest to the truth of his personality, as acknowledged by Dazai himself, was his friend Sakunosuke Oda, who recognized that Dazai shall linger in the darkness forever, as there was nearly nothing that can surpass his mind. Regardless whether he is on the side of killing people or saving them, Oda knew that no place in the world could fill Dazai's loneliness, which Oda thought Dazai knew in himself. In addition, Dazai kept an enigmatic and dark façade, whose endeavors in the Mafia were unrivaled and eventually earned him the status as the youngest leader in the history of the Mafia. Because of his aptitude despite his youth, Dazai contributed to about half the Mafia's profits for at least two years. Eventually, Dazai's ledger became tainted; Ichiyō Higuchi describes his blood to be "dark as the Mafia itself". Even in his adulthood when he becomes an Agency member, when Kyōka Izumi showed remorse over having killed 35 people, Dazai remarked with a sinister face that such number is nothing. As a saying in the Mafia went, "The greatest misfortune for Dazai's enemies is that they are Dazai's enemies", for Dazai was aptly described to be "practically born to be in the Mafia". He was extremely confident and was a terrific planner, coming up with long-run strategies to subdue his enemies. For instance, he was able to lure Mimic operatives, who were previously trained soldiers, to fall under his trap. Dazai is quite skilled in persuasion notably through his words, which he appeared to utilize in interrogations that broke targets who did not divulge anything under Kōyō Ozaki's torture squad. As a saying in the Mafia went, "The greatest misfortune for Dazai's enemies is that they are Dazai's enemies", for Dazai was aptly described to be "practically born to be in the Mafia". He was extremely confident and was a terrific planner, coming up with long-run strategies to subdue his enemies. For instance, he was able to lure Mimic operatives, who were previously trained soldiers, to fall under his trap. Dazai is quite skilled in persuasion notably through his words, which he appeared to utilize in interrogations that broke targets who did not divulge anything under Kōyō Ozaki's torture squad. Behind this grim persona, Dazai admitted that he joined the Mafia to be exposed to death, violence, and people giving in to their urges and desires, expecting that—in this way—he would be able to see the inner nature of humankind firsthand in hopes of finding a reason to live. Following Oda's demise, Dazai defected from the Mafia and went underground in order to heed Oda's final request for him to "be on the side that saves people". Admittedly, he reckoned that people change over time where potential surfaces, which apparently seems to apply to himself as well. Upon joining the Agency, Dazai is usually called lazy, with Doppo Kunikida always scolding him for being unproductive and slacking off. Despite that, he has shown a sharp wit, deducing all the unlikely situations that led Atsushi Nakajima to believe he was being stalked by a tiger when he was the tiger in question. He has complete confidence no matter what type of situation he is dealing with, be it combat or simply bad situations he formulated in the first place. In most occasions, Dazai is overly dramatic. He takes most of his actions as a joke, and, although they are very well-thought plans, he does not credit himself for most of what he has done. Dazai likes to tease anyone and everyone, especially if it means that he can get a laugh out of it. As a suicide maniac, he often attempts to commit suicide in comical manners, but he oftentimes fails or gives up on it when such methods are painful. Dazai, in particular, wishes to commit double suicide with a beautiful woman; though he admits that he "likes all types of women", he possibly prefers the type who would die with him if he asked to. Kunikida once wondered why Dazai is quite popular with women and called him a menace to women, a sentiment Chūya Nakahara once used when he threatened to leak Dazai's address to every woman he ever made cry, which Dazai soon asked him not to do. Dazai also once had a run-in with a bomb threat instigated by a woman whom Dazai figured was obsessed with him. While his suicidal tendencies are initially comedic, they reveal a truly dark deep hole that Dazai has. Even as a teenage boy, Dazai questioned whether there was any value in life. Thus, he soon tried to fill this hole and find a reason worth living for, choosing to live a life surrounded by bloodshed and war, but his friend Oda with his dying breath convinced him to choose the good side. He understood that even though good and evil mean little to Dazai, he may become a slightly better person if he were to choose well. In the past, while he was still suicidal, it was shown to be far less comedic. He even described the death as a way to free himself from the oxidizing world, but, strangely enough, he could not die no matter how hard he tried. Additionally, he was extremely brutal and methodical, setting up traps to catch captives alive to torture them for information, and he would often beat his then apprentice Ryūnosuke Akutagawa for disobeying orders and to push him to the limits to improve his abilities. While in the present he is more lighthearted and comical, he still retains some of his darker personality. He is still able and proficient at coming up with long-run strategies, though he doesn't inform his teammates what they are until the time is right. When he is able to see through the enemies' schemes, no matter how complex, Dazai would sometimes plot to run along with a charade if he deems it necessary, which he did during his entrance exam in order to let Kunikida's suspicions arouse over him as planted; in so doing, they were able to break free from their opponent's ruse and eventually catch the mastermind behind. Dazai is also willing to use dirty means to achieve his goals, such as purposely deflating Ango Sakaguchi's car seat airbag when they crashed so Ango would get injured and force him to cooperate with Dazai for pardoning Kyōka in exchange for having his wounds healed. Nonetheless, he does care for his teammates and watches out for them, especially Atsushi for whom he sees the greatest potential. Moreover, Dazai develops a sense of duty and utilizes his wit and intelligence to the Agency in their quest to help maintain Yokohama's peace and order. As part of his various plans and well-calculated strategies, he even devised for Atsushi and Akutagawa to collaborate at times to become a new generation of Twin Dark who could take on the brewing evil lurking within the city. No Longer Human allows Dazai to nullify others' abilities on contact. It relies on skin contact and is always active. As such, he can nullify any ability even while restrained as soon as it touches him. Dazai's intelligence is his primary source of expertise as a Mafia executive in the past and as a detective at present. Ōgai Mori, a proficient tactician himself, widely trusted and relied on Dazai's intelligence, whom he claimed to be his most worthy right-hand man should he have stayed in the Mafia. Dazai is also recognized as one of the Agency's sharpest detectives together with Ranpo, who is proclaimed by others and himself as the world's greatest detective. With his intelligence, he is able to go head-to-head against the formidable Fyodor Dostoevsky, an avatar of cunning who sees Dazai to be quite identical to him. Even Ranpo once subtly admitted that going up against Fyodor is like going up against Dazai, whom the great detective himself views to be quite an enigma even as his co-worker. Dazai has an aptitude for predicting outcomes, which he himself admits is one of his strong qualities, if not his strongest. Dazai is an adept persuader, able to negotiate with others and consequently acquire his required outcomes. He is able to convince Kōyō, a Mafia executive, into letting Kyōka get arrested and even to stay in the Agency as their captive; Francis Scott Key Fitzgerald, a former enemy, into collaborating with him to catch Fyodor; and even Akutagawa into tailing and potentially helping Atsushi—the latter's sworn rival—before the outbreak of the Decay of the Angel' terrorism plot. He also once presumably persuaded Naomi Tanizaki to work with him behind her brother's back, who both were secretly tasked by Kunikida into tricking Dazai, only for this scheme to backfire once Dazai realizes their clandestine arrangement. Dazai is proficient in lock picking, such as prying locked boxes or handcuffs open. Moreover, he was able to implant a bug in Higuchi's pocket without being noticed by the mafioso. He was also able to swipe Chūya Nakahara's knife without even being seen. Kunikida also once described Dazai to be "frighteningly dexterous", knowing that Dazai can pick a lock to a bank's safe with a needle or easily switch out slips of paper with fake ones. Dazai had fair-to-middling hand-to-hand skills among the Mafia as Chūya recalled, which his nullification ability made up for. Dazai was able to briefly hold his own against Chūya, the most physically gifted in the Mafia, by predicting and defending against his moves and timing which he had memorized, though he got backed up on the wall soon after. Dazai was also able to fend against a big man by utilizing his resources around him, albeit being overwhelmed later on. Using the device that monitors his vitals which is planted on him at Meursault, Dazai can vary his heart rate at will and digitize his messages in order to communicate to the outside world. Atsushi Nakajima is a member of the Armed Detective Agency who possesses the ability Beast Beneath the Moonlight. Atsushi has light gray hair, pale skin, and is of average height with a slim build. He has segmental heterochromia, consisting of purple on the top half of his iris and yellow along the bottom curve of his pupil. His hair is short and swept forward in loose spikes with a lock left long on the right side of his face. This uneven style is the result of bullying he suffered at the hands of other orphans in the orphanage, and he never fixed it. Additionally, he has a prominent black streak in his hair. Before joining the Agency, he wears rags issued by the orphanage, and after he joins the Armed Detective Agency, they issue him a white button-up with the sleeves pushed to his elbows from Doppo Kunikida, a loose black tie from Akiko Yosano, black pants from Yukichi Fukuzawa, black fingerless gloves from Ranpo Edogawa, suspenders from Kenji Miyazawa, and a long black belt from Osamu Dazai. When he transforms into a partial tiger, his eyes become tiger-eye-like, and he develops fangs. If more drastic, his limbs turn into into a tiger's, and his tail emerges. When he finally develops considerable control over his ability, he can transform fully into a white tiger with black stripes and retains the tiger's gold eyes. Atsushi's traumatic past affects much of his daily life, and he is tormented with nightmares, flashbacks, and the internal monologue of the orphanage director who abused him. He has a severely low sense of self-worth and is somewhat naïve, which causes him to initially feel helpless when confronted with dangerous situations. When paralyzed in guilt and/or fear, he has difficulty reacting or understanding what to do. He also tends to react strongly and believe things at face value, trusting others' judgment above his own and even abandoning his own instincts. For example, when learning of the ¥7 billion bounty on his head, he became convinced that he was putting the Agency at risk. He felt intense guilt and decided to leave, believing it will keep the Agency from being targeted. Atsushi grew up in an orphanage, where he suffered from severe abuse – both verbal and physical – from his caretakers, as well as social isolation from the other children. This history of mistreatment has evidently taken a huge toll on Atsushi's self-worth as an adult and has caused him to constantly question the value and usefulness of his life. According to the orphanage director, Atsushi's parents dumped him. The director becomes the foundation of Atsushi's warped self-worth. The abuse, presumably severe especially because of the tiger rampaging at night, led the director to occasionally chain Atsushi in a cell with little to no food for at least three days. Atsushi was also forcibly injected with what he thought might be poison (which Atsushi later thought in his adulthood might be nutrients). Moreover, at one point, the director forced Atsushi to hammer a nail into his own foot as a way of teaching him how to "endure pain". When he was unable to, the director himself hammered Atsushi's foot, afterwards instructing him to reflect on his own. The director emphasized Atsushi's hatred towards him, seemingly even encouraging it. Alongside the director and other caretakers' abuse, Atsushi suffered at the hands of the other orphans. Oftentimes, the other orphans threw Atsushi under the bus when they got in trouble, as the orphanage ran on some sort of point system that affected if and when they were fed. Once he hits 18 years old, Atsushi was kicked out of the orphanage under the pretense that they had a lack of funding and had to downsize. Though he was unaware of it at the time, he was actually transforming into a white tiger under the moonlight due to his ability and causing chaos, including destroying crop fields and storehouses. Beast Beneath the Moonlight gives Atsushi has the ability to transform into a white tiger. At first, he doesn't seem to have much control over the transformation, likely due to the fact, or caused by, his unawareness of his state as an Ability user. After becoming an official member of the Agency and under the influence of All Men Are Equal, he gains more control over his transformations - as shown during his second fight with Akutagawa, when he breaks the transformation on his arms to escape. Fyodor Dostoevskyis a tall and slim young man. He is described to have a thin pale face and long messy hair of a purplish black, somewhat disheveled, that reaches his shoulders. His eyes are sharp and of a dark purple color, giving him a tired look. His attire is formal. He wears what appears to be a long-sleeved buttoned white shirt, with light purple cuffs and outlines, and white pants. It is accompanied by a long black coat with a few yellow buttons, reaching Fyodor’s knees, along with white fur. He also wears a white ushanka hat, and long boots of a maroon color. After being arrested, he is then transported to Meursault and wears white prison clothes. Although he's a very enigmatic individual, Fyodor is a man who is known for his cunning, unpredictable and sinister nature that's comparable to Osamu Dazai. He is regarded as a monster by his enemies. He is composed and confident, and even in dire situations, he hardly falters and doesn’t appear to fear his enemies, conjuring conniving plans and strategies that result in his success. A genius mastermind, Fyodor’s intellect, observation, outstanding memory, and understanding of human nature allows him to outsmart and manipulate the smartest of foes and see through their innermost thoughts and wishes. He boasts enough courage to let himself be captured by his enemies for his plans, an instance being when threatened by Ace, he retorted claiming he'll kill him, showing how straightforward he can be when the situation calls for it. Fyodor's most noticeable characteristic is how he views salvation, saying things like "A blessing for children." and how God wants perfection and harmony over anything else, all while committing cruel and unforgivable acts of terrorism in nonchalance. He refers to himself as carrying out the lord’s will, and consistently speaks of the sinful nature of man and how he wants to free and purify them of said nature, which is why he seeks out the Book to rid the world of abilities. Despite this grandiose goal, he speaks in a polite and discreet manner, and is occasionally amiable around others. Ironically, Dazai and the rest of his adversaries refers to him as "Demon" or "Monster", indicating that Fyodor's actions are nowhere close to the perfection and harmony that God wants. Crime and Punishment allows Fyodor to steal the body of the person who killed him and turns them into a copy of "Fyodor Dostoevsky", completely removing the former looks and skin of the person and giving them his appearance. It completely erases the original personality and characteristics of the victim’s body and replaces them with Fyodor's own. Bram Stoker is a member of the Decay of the Angel. His ability is named Vampirism, which allowed him to transform people into Vampires. Bram was able to control all the turned vampires, and each one acted like a single form of life. However, it was revealed that Bram can only command all the vampires when Fukuchi got hold of the Holy Sword Soluz Levni when it was attached to Bram's body. As stated by Yukichi Fukuzawa, Bram's ability was stated to be so powerful that it has been officially acknowledged as one of the "Ten Calamities to Destroy the World" by the Governments of the World and the Ability itself is capable of ending life on Earth as we know it if allowed to go free. Bram likes his slumber and his radios. Bram dislikes sunlight, garlic, the smell of roses and horseshoes. Bram was seen as an emotionless individual who craved nothing more than to sleep in his coffin for an abnormally long time. Despite that however, he did admit that he gets bord in his coffin and wished for a radio to past the time. Bram appeared to have had a disdain towards insolent people and looked at Fukuchi as someone who fits in that category, even going as far as calling him a curse and told him to obliterate the world himself as long as he's left out of it. All though he does detest insolent people, he also didn't seem to be too interested in stopping Fukuchi's planes either, even telling Aya that the only plane he has was sleeping for 200 years. Judging by his past, Bram possibly had a dislike towards his own ability and didn't wish to use it to add more to his kin after being dubbed as a calamity eight years ago (likely due to his subjects in the past killed because of it); However, when threatened by Fukuchi to do it, Bram ended up obeying him regardless of how much he didn't wish to go against his personal vow of turning no one else into his kind. With the time period he lived in, Bram seemed to lack a little bit of knowledge about the modern-day world and barely knew what goes on outside because of how often he stayed time in his coffin. Case in point, Bram thought that a truck was a carriage that lacked a horse only for Aya to tell him it's a truck and how he thought he learned something new when he believed that today's generation use bathtubs to worship kings. When around Aya, Bram was more engaged in conversations with her than with anyone else, even shared some info about his past life with the holy sword which seemed personal and private to him. Despite how brooding and emotionless he came across as, Bram had a soft and protective side to him that he only showed to Aya. In fact, he had no concern about the world and only cared about her safety. Bram has a vampire-like appearance, which includes having fangs. He had long, wavy hair that reaches below his shoulders. He also has a distinctive triangular-shaped pointed ears similar to elven ears. Two scars can also be seen on his face, one on each side of his face, and there are distinct markings beneath his eyes. He had no lower body ever since Ōchi Fukuchi severed his head from his body, but a Holy Sword Soluz Levni can be seen attached to his lower body, which is stretched all the way to his brain. In his full body appearance, Bram wore black pants and a black trench coat with ripped up sides and dark gray fur wrist cuffs on his left and right wrist. He also wore brown boots and similar to his fur wrist cuffs, which also had dark gray fur that's close to his.