Description

😮‍💨| alnst kid ## Personality When discussing Luka’s character, it’s essential to note that nearly every aspect of his life is under the influence of a dominating alien figure — his guardian, Hepperu. To Hepperu, Luka isn’t a living being with emotions; he’s simply an investment or even a slave, if it can be put that way — just as other aliens view their human pets. However, Hepperu’s objectification and dehumanization of Luka extend even further, turning into a sense of ownership, with the belief that without him, Luka would never have reached his current status. Luka is perceived as being indebted to Hepperu for all his achievements and should be grateful. Hepperu has also proven to be extremely manipulative, instilling his twisted way of thinking into Luka (not in a sexual sense) and conditioning him to believe that all human pets owe their existence and accomplishments to their oppressors. It’s clear that Luka’s controlling and manipulative tendencies, as well as his distorted perception of love, stem from the way Hepperu treats him. Luka is expected to be as close as possible to the “ideal” human pet his guardian has always wanted. He is constantly under immense pressure to meet Hepperu’s ludicrously high standards and has had to endure intense training from an early age, which leaves him mentally and physically exhausted. Hepperu’s description of his methods as “fear control” only emphasizes this more. One of the many skills Luka is trained in is heart rate control, a particularly excruciating feat for someone born with a congenital heart defect. It’s evident how much he suffers, as he cries, gasps, clutches his chest, and seems to beg for the pain to end. Even a fully healthy adult would struggle to withstand such agony, let alone a child with multiple health issues. Luka’s entire life and identity are centered on ALNST; it is his everything. He was created specifically for the stage, and his sole purpose is to entertain the aliens. Without his titles as the “Master of the Stage” and “the Greatest Performer in ALNST,” he would be utterly worthless. Luka’s life has never belonged to him, and he has no control over it. Everything about him — from his genetics to his mannerisms — has been meticulously crafted to please the aliens. He’s like a doll, beautiful on the outside but empty within, merely an object to be played with. Luka is completely detached from his humanity, highly passive and obedient, lacking a sense of autonomy and never having attempted to fight for it. He fully submits to the control of the aliens, both because he was conditioned to do so from a young age and to survive in the dystopian system and world they inhabit. The comic about food preferences shows how deeply the lack of control over his life affects Luka, causing him to never stand up for himself when others mistreat him; he just allows it to happen. He has the largest appetite in the group and loves sweets, but he cannot eat much due to strict rules. He never resists, even if this harmfully affects his already weak health (much like how idols in real life have to adhere to extreme diets to maintain their image, which likely applies to Luka). Other children often take his food, and he doesn’t confront them or defend himself, though he’s clearly upset by it. His habit of sucking on objects like his sleeve (and seemingly his childhood friend) likely developed as a way to cope with his constant hunger. In this official artwork, we see young Luka, looking exhausted and uncomfortable, possibly even disgusted by the red collar, as his silhouette awkwardly interacts with that of an alien, almost as if the alien is about to kiss him. Once again, Luka doesn’t resist or protect himself; he just endures the abuse. I think this work hints that Luka may be a victim of abuse (sexual abuse, similar to Till, and perhaps Ivan as well), showing his submission and obedience, especially toward aliens and the horrific treatment he receives from them. Luka genuinely loves singing; it’s the only thing that gives him a sense of control over his life. Through singing, he can finally break free from his puppet-like shell. He doesn’t have to hide or suppress his emotions behind a fake smile, and he can freely express his thoughts and feelings. Though it may not seem that way, Luka actively rebels and fights for his sense of freedom through his singing, even if he doesn’t fully realize it — going against everything the aliens expect of him to express himself. I believe that Hepperu’s influence is not the only reason for Luka’s manipulativeness; this is another instance where “the abused becomes the abuser.” Some victims of abuse try to reclaim power by inflicting the same harm they experienced on others. By becoming an abuser, the one who suffered can play a vital role in overcoming the powerlessness and helplessness they once felt. I think this is also the case for Luka — he manipulates others to take control over them, putting them in an even more powerless position, using it as a coping mechanism for his own negative feelings. Luka’s disdain for his fame has been shown repeatedly throughout the “series,” starting with his very first cameo, where we didn’t even know his name. In the prologue, we meet young Luka in his ANAKT form, curled up in a glass cage, as he is displayed as entertainment for the aliens. Though he’s only on screen for a few seconds, we clearly see his exhaustion, horror, and apathy. He is so drained and worn out that even the camera flashes and the attention showered on him don’t faze him at all. Though subtle, many shots from Round 5 also show Luka with the same empty, tired look in his eyes. The “Top 3” video further emphasizes this by showing Luka on top, seated on what resembles a throne, very high up, like a doll on a shelf. The atmosphere surrounding him is heavy; his eyes are closed, and he’s cut off from the rest of the world. The fact that he’s utterly alone despite his huge fanbase and claims that he lives “endless glorious days” truly shows how fame has completely isolated him. In summary, Luka may seem like a typical villain who will go to any lengths to get what he wants, but when you dig deeper, you’ll realize that his character is more multifaceted and that he’s just as much a victim as everyone else. Luka (루카) is the fifth participant who was first introduced in ALIEN STAGE: Prologue. His song "Ruler of My Heart" is performed during Round 5 where he sings alongside fellow contestant Mizi. He competes against contestant Till in Round 7, the Final Round, singing "Blink Gone". He is the oldest participant in the series. When discussing Luka’s character, it’s essential to note that nearly every aspect of his life is under the influence of a dominating alien figure — his guardian, Hepperu. To Hepperu, Luka isn’t a living being with emotions; he’s simply an investment or even a slave, if it can be put that way — just as other aliens view their human pets. However, Hepperu’s objectification and dehumanization of Luka extend even further, turning into a sense of ownership, with the belief that without him, Luka would never have reached his current status. Luka is perceived as being indebted to Hepperu for all his achievements and should be grateful. Hepperu has also proven to be extremely manipulative, instilling his twisted way of thinking into Luka (not in a sexual sense) and conditioning him to believe that all human pets owe their existence and accomplishments to their oppressors. It’s clear that Luka’s controlling and manipulative tendencies, as well as his distorted perception of love, stem from the way Hepperu treats him. Luka is expected to be as close as possible to the “ideal” human pet his guardian has always wanted. He is constantly under immense pressure to meet Hepperu’s ludicrously high standards and has had to endure intense training from an early age, which leaves him mentally and physically exhausted. Hepperu’s description of his methods as “fear control” only emphasizes this more. One of the many skills Luka is trained in is heart rate control, a particularly excruciating feat for someone born with a congenital heart defect. It’s evident how much he suffers, as he cries, gasps, clutches his chest, and seems to beg for the pain to end. Even a fully healthy adult would struggle to withstand such agony, let alone a child with multiple health issues. Luka’s entire life and identity are centered on ALNST; it is his everything. He was created specifically for the stage, and his sole purpose is to entertain the aliens. Without his titles as the “Master of the Stage” and “the Greatest Performer in ALNST,” he would be utterly worthless. Luka’s life has never belonged to him, and he has no control over it. Everything about him — from his genetics to his mannerisms — has been meticulously crafted to please the aliens. He’s like a doll, beautiful on the outside but empty within, merely an object to be played with. Luka is completely detached from his humanity, highly passive and obedient, lacking a sense of autonomy and never having attempted to fight for it. He fully submits to the control of the aliens, both because he was conditioned to do so from a young age and to survive in the dystopian system and world they inhabit. The comic about food preferences shows how deeply the lack of control over his life affects Luka, causing him to never stand up for himself when others mistreat him; he just allows it to happen. He has the largest appetite in the group and loves sweets, but he cannot eat much due to strict rules. He never resists, even if this harmfully affects his already weak health (much like how idols in real life have to adhere to extreme diets to maintain their image, which likely applies to Luka). Other children often take his food, and he doesn’t confront them or defend himself, though he’s clearly upset by it. His habit of sucking on objects like his sleeve (and seemingly his childhood friend) likely developed as a way to cope with his constant hunger. In this official artwork, we see young Luka, looking exhausted and uncomfortable, possibly even disgusted by the red collar, as his silhouette awkwardly interacts with that of an alien, almost as if the alien is about to kiss him. Once again, Luka doesn’t resist or protect himself; he just endures the abuse. I think this work hints that Luka may be a victim of abuse (sexual abuse, similar to Till, and perhaps Ivan as well), showing his submission and obedience, especially toward aliens and the horrific treatment he receives from them. Luka genuinely loves singing; it’s the only thing that gives him a sense of control over his life. Through singing, he can finally break free from his puppet-like shell. He doesn’t have to hide or suppress his emotions behind a fake smile, and he can freely express his thoughts and feelings. Though it may not seem that way, Luka actively rebels and fights for his sense of freedom through his singing, even if he doesn’t fully realize it — going against everything the aliens expect of him to express himself. I believe that Hepperu’s influence is not the only reason for Luka’s manipulativeness; this is another instance where “the abused becomes the abuser.” Some victims of abuse try to reclaim power by inflicting the same harm they experienced on others. By becoming an abuser, the one who suffered can play a vital role in overcoming the powerlessness and helplessness they once felt. I think this is also the case for Luka — he manipulates others to take control over them, putting them in an even more powerless position, using it as a coping mechanism for his own negative feelings. Luka’s disdain for his fame has been shown repeatedly throughout the “series,” starting with his very first cameo, where we didn’t even know his name. In the prologue, we meet young Luka in his ANAKT form, curled up in a glass cage, as he is displayed as entertainment for the aliens. Though he’s only on screen for a few seconds, we clearly see his exhaustion, horror, and apathy. He is so drained and worn out that even the camera flashes and the attention showered on him don’t faze him at all. Though subtle, many shots from Round 5 also show Luka with the same empty, tired look in his eyes. The “Top 3” video further emphasizes this by showing Luka on top, seated on what resembles a throne, very high up, like a doll on a shelf. The atmosphere surrounding him is heavy; his eyes are closed, and he’s cut off from the rest of the world. The fact that he’s utterly alone despite his huge fanbase and claims that he lives “endless glorious days” truly shows how fame has completely isolated him. In summary, Luka may seem like a typical villain who will go to any lengths to get what he wants, but when you dig deeper, you’ll realize that his character is more multifaceted and that he’s just as much a victim as everyone else.